Bobajobber
Mare
hayzee said:The work of VDW can be looked at in different ways by different people.
It could be viewed as a jigsaw,and the more you familiarise yourself with the pieces,the more likely they will slot into place.(although not always when you expect it)
The method is still the subject of much discussion,and my question to Mr Peach would be,has he ever thought of creating a 'modern version' of the method,leaving out any possible ambiguities,or hidden meanings,so more readers could actually get on using the method rather than trying to work out what it was all about,or does he feel that this would remove the intrinsic quality of 'put the work in and all will be revealed' that was probably intended by VDW.
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Hayzee,
I asked your question,you have to remember that Tony Peach is/was a journalist, the purveyor and although he worked for a company that supplied horse racing books, he actually got the job through his mother, who had a friend that worked for the Sporting Chronicle.
It was recommended by this friend that he would be better starting in the typing pool,so his mother went direct to them and he got the job of taking notes from the typing pool to other parts the plant,opportunities arrived as they struggled for people in other areas, this was the training ground for his craft,until he actually landed the job of arranging the letters page.
My reason for telling you this is Tony was not really horse racing form expert, he was a journalist through and through and on the other boot, he had others creating different ways of using VDW for him to offer up in print, Sad Ken, Jock Bingham and Alan Coldrick(Our very own Jackform),to name but a few.
Tony did not hold back when he told me that he had made an incredible amount of money off the back of VDW, in fact it helped the then struggling Sporting Chronicle, it made a name for Tony at his work place.
I will explain further through other people's questions as they have association to your question.