Agree, the research has to be done otherwise it's just assumption.It is by comparing those VDW explicitly stated were "form" horses, such as Righthand Man, and those he was explicit weren't, that one starts to make progress on how he rated "form" status. And it is by comparing the class/form horses VDW stated were bets, like Righthand Man, and those like Buckbe which weren't, that one hopefully makes progress in identifying what led to the different conclusions. Buckbe is important because there he tells us quite explicitly what one of the factors was - ie Buckbe was not a consistent horse.
Studying races from the 1970s and 1980s may seem eccentric, but if one wants to get close to understanding VDW's methods, as both Guest and Lee pointed out long ago, it is essential. A matter of working through the many VDW examples and looking for what, through regularity and logical soundness, suggest intentionality rather than coincidence.
The only way I see that working is the latest run is always higher in class than the 3rd last run."I do think though that as VDW said different types of races required different approaches and in that respect I think for example a novice handicap hurdle winner such as Ascencia (or a second season hurdler such as Love From Verona) will never fit the same mould as Buckbe or Ryeman in being a non consistent or the consistent traits of a horse like Righthand Man or Wayward Lad."
But they do.
i "could" reply to your answer there with a logical response Jenny, but i fear i would be shot down in flamesFrom a strictly VDW point of view, the question must surely be was the performance in each run better (or equal) to the previous one. Often this will be because the race is higher in class than the previous one, but not always.
I've been having another look at the Boxing Day six, and Kevinsfort is interesting. In his last three he came 2nd in a class 17, won a class 13 and was then 2nd in a class 12. Yet VDW saw him as a "form" horse for a class 15.
There's class of race and then there's class of opposition. Or more precise, class of where the opposition came from. It's like the branches on a tree.From a strictly VDW point of view, the question must surely be was the performance in each run better (or equal) to the previous one. Often this will be because the race is higher in class than the previous one, but not always.
I've been having another look at the Boxing Day six, and Kevinsfort is interesting. In his last three he came 2nd in a class 17, won a class 13 and was then 2nd in a class 12. Yet VDW saw him as a "form" horse for a class 15.
But with that in mind why does Buckbe fail as a consistent form horse when it was raised almost double in class to win LTO? Though lower class than the race it was well beaten in 3rd last race, that 3rd last race was a higher class than Kempton."Kevinsfort on the back of his LTO win made more of a race of it than their previous meeting."
Exactly so. In this particular example, that the most recent race was, in win prize money terms, lower than both the previous ones (and he didn't win it) is not the essential point to why "one performance is better than another". And it is that phrase which drives VDW's way of rating "form" status.
King's Crown [9-2] |
Frantic [9-4] |
Jenever [9-8] |
Herakles [9-6] |
Thanks. I've read a lot of that before, especially Lee's take on it.Unlike with Buckbe, VDW didn't say LfV was a consistent horse or a "form" horse,Tufnel, but despite there being several higher ability-rated horses in the field it was his selection. So, we have to develop hypotheses and as with much else in VDW's work, see how they look in the context of other examples.
I have mine and continue to check that they are consistent with all the other examples; in my view LfV was a "form" horse, a consistent horse, and the consistent class/form horse in the race.
You might be interested in Lee's comments in April 2002 on the Gummy thread:
"Again on the face of it Love From Verona looks to be up against things, towards the bottom of the pile on ability, coming out of the 2nd lowest class race last time, but a study of the form that it is the best amongst it's rivals, and of course meets the pre-requisites of the consistency method."
“Lee. Do I take it that, for you, Love from Verona was what VDW would have termed the class/form horse in the race (on the lines of Wing and a Prayer, Canny Danny and Cool Gin)?”
"Fulham. No, there's a difference, and that being that EVERYTHING doesn't go LFV's way, but the price compensates for this. Wing And A Prayer is the ultimate balance of class and form, just like Little Owl, Canny Danny has everything there but for the weight negative that VDW mentioned, and Cool Gin has almost everything in his favour. The Wing And A Prayer types are the ones that I go for.
May I say that, it is my view from what was written that VDW had a knowledge of racing that far surpasses most that play the horses, past and present. And to be able to select a high percentage of winners at prices LFV returned at calls for a knowledge and understanding (and patience) far beyond that of the main factors that VDW didn't quite spell out. For me personally understanding the examples such as Love From Verona was like running the London Marathon in preparation for competing in a 3-mile fun run. I generally stick to the sore thumbs. Now and then I'll get sucked in to the more complex situations, where some win and some lose, but I've no need to. The majority of my bigger price winners come from the Roushayd method, which still calls for an assessment of the unexposed form before studying the exposed form; Improving speed ratings etc.
I must say though that since being a member of this board it has been great to listen to what others have to say on the subject. I'm sure that some have gone a lot further than myself, Guest for one from what I can make, and each to their own, but for me I'm more than content with what I have and the lengths I go to find my winners.
For those that are still at it, Every time you get peed off or hit the next brick wall, just remind yourself that when you discover what you are looking for, you'll seriously wonder how on earth you ever passed it by, and how it could be so simple."
That was some years before Lee's two runs of 100% winning pre-race posted selections, so it is reasonable to assume that his understanding of VDW's method progressed. I have not found a later Lee post specifically about LfV, and if he had been addressing the same example several years later I think he would have written his opinion slightly differently. That said, LfV is one of the most difficult VDW examples, and I think Lee's athletics analogy far from inappropriate.
Given how complimentary Lee was about Guest, you might also find five short posts by him, some before, some after Lee's April 2002 ones, helpful:
1. "The first point regarding Strombolus/LFV is that both races were handicaps. An obvious point that may seem, but a very relevant one with regard to how we evaluate form associated with the respective races run. Yes there were higher rated ability horses in the fields but were they in form and were they capable of performing under the prevailing conditions?
The 1979 Lanzarote handicap hurdle was similar in some respects to the 2002 running in which the classy Copeland was unable to give the weight to the second season novice, Majalis. Persian Crown and others found this same factor beyond them when the lightly raced Love From Verona landed the spoils 23 years ago. Note LFVs seasonal debut at Lingfield when down the field in a race qualifier."
2. "Remember, consistency is not form. The consistency part though provides us with the probables, hence VDW bringing our attention to Weth Nan and Spartan Missile."
3. "Barney - The paragraph you refer to is just one reason why I also consider the 3 most consistent in the entire field, as VDW had suggested from the beginning. The study of form will show if any of them are outclassed or not capable. Love From Verona was just one horse who didn't feature in the forecast, but was one of the 3 most consistent from the field."
4. [addressed to Mtoto who, wrongly in my view, thought sfs were the answer to almost everything and weight was irrelevant] "As far as Love From Verona goes, you will have already noted that he had no speed figures worth speaking of.
To some others, I will say that it is so easy to just sit on the sidelines and heckle when you haven't even put in any worthwhile effort to read or understand VDW's work. The only way to learn is by ones mistakes or through others assistance based on their understanding or skills in the required area. VDW taught me how to find winners for profit, though I never met or spoke directly to him. The easiest thing in the world would have been for me to just scoff and proclaim him a trickster and waste more time following the so called experts who actually know nothing, that is why they have to be paid by tv companies or newspapers to tip winners or charge unsuspecting mugs for their tipping services."
5. "Fulham - Bear in mind that in handicaps, VDW was ruthless with his definition of a form horse. It took some time to figure this out, but it was only possible through such selections as Desert Hero, Battlement, Kings Ride and Love From Verona. They don't have to be overall top rated, but top of the form horses."
While both Lee and Guest remain for me the two who had made most progress in understanding VDW's work, from whose Gummy posts I've learnt so much, I also believe it is possible to sharpen up and improve on their takes.
Well it can't be going up in class winning next time as the fault so it has to be something about the 3rd last run. I know that was higher than LTO and the fall but it was also higher than the Kempton race, albeit by around 20% higher."My concern is why did VDW not excuse Buckbe's race where it fell at just the 4th fence before anything got serious in the contest?"
Why do you think he didn't excuse the fall? I assume he did.
ThanksLeodis
In my view the VDW "form" horses, in ability rating rank order, descending, are Secret Guest, Dragon Spin and Go Victor.